Jacob Bronowski's Science

Jacob Bronowski identified a modern myth whose origins, he claimed, could be traced to the Industrial Revolution: the fear that man was becoming, ever more swiftly, a machine at the hands of modern science. When Bronowski entered the culture wars of the mid-twentieth century, sparked by C.P. Snow’s 1959 lecture, The Two Cultures—addressing the breakdown in communication between scientists and literary intellectuals — he wanted to expose this myth, dispel false and antiquated notions of science, and illuminate the human being’s unique position in the natural world. His series of essays, The Identity of Man, is a valiant attempt to humanize science, and simultaneously, to popularize it. Only by discerning, as Bronowski believed, the inextricable relationship between science and the arts — by recovering the integrity of science — could one begin to appreciate man’s extraordinary, albeit material, nature. Unlike Snow’s treatise, whose political agenda bears the marks of Cold War anxieties and personal antipathies, Bronowski’s essays constitute a total philosophy of modern life, whereby a sound education in humanistic science is the basis for self-affirmation and the preservation of citizenship and democracy.